Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Serenade No. 4 "Candlelight Miniatures"
Composed 2017 | Op. 34e
Instrumentation:
violin
violoncello
Duration: 9'
Movements:
I. Prologue
II. Recercada moderno
III. Canon I: Valse brevis
IV. Canon II: Scherzo pizzicato
V. Epilogue
Composed 2017 | Op. 34e
Instrumentation:
violin
violoncello
Duration: 9'
Movements:
I. Prologue
II. Recercada moderno
III. Canon I: Valse brevis
IV. Canon II: Scherzo pizzicato
V. Epilogue
Composed 2017 | Op. 34e
Instrumentation:
violin
violoncello
Duration: 9'
Movements:
I. Prologue
II. Recercada moderno
III. Canon I: Valse brevis
IV. Canon II: Scherzo pizzicato
V. Epilogue
Composed 2017 | Op. 34e
Instrumentation:
violin
violoncello
Duration: 9'
Movements:
I. Prologue
II. Recercada moderno
III. Canon I: Valse brevis
IV. Canon II: Scherzo pizzicato
V. Epilogue
Composed 2017 | Op. 34e
Instrumentation:
violin
violoncello
Duration: 9'
Movements:
I. Prologue
II. Recercada moderno
III. Canon I: Valse brevis
IV. Canon II: Scherzo pizzicato
V. Epilogue
Passion and Remembrance
Composed 2016
Instrumentation
Trumpets I, II, III in Bb
Horns I, II in F
Tenor Trombone
Bass Trombone
Tuba
Duration 8'
Composed for
Brian Norcross and the Franklin & Marshall College Philharmonia
Movements
I. Passion
II. Soliloquy
III. Remembrance
Performed by
CCM Chamber Players
Rob Stull, conductor
Program Notes
(part I of the four-part Axis Mundi)
“Every Microcosm, every inhabited region, has a Centre; that is to say, a place that is sacred above all.” (Mircea Eliade) The Axis Mundi is a symbol of this Centre, a place where information, ideas, even people can cross between dimensions for growth and knowledge. As humans, we too have a Centre, commonly referred to as a grounding “morality” or “soul” that may or may not be influenced and supported by religion. This sense of the moral self adjusts and moves over time, adapting to our experiences, actions, and thoughts, and I have been contemplating this motion, this ever-changing identity and sense of self whilst completing this 3-year long project.
Axis Mundi, music for three octets is in four parts, with the first three parts each highlighting an instrumental family before combining all the elements in the final part. Passion and Remembrance introduces us to the powerful, colorful, and flexible brass with a spotlight on the tenor trombone. Joy and Euphoria features the woodwinds in their element through a provocative narrative structure. Thought and Introspection is a somber, supple hymn for the strings with a central melody in the viola. The whole work concludes with a dramatic, powerful epilogue The Three in One, scored for all three octets that combines elements from the previous pieces. The four parts span three years of compositional development and various stages of personal development, and offer a glimpse into what a changing identity can look and sound like.
- August 14 2019
Performance History
10/19/2019 - Franklin & Marshall College Philharmonia, Brian Norcross, conductor
Barshinger Center for the Arts, Franklin & Marshall College
09/29/2018 - Franklin & Marshall College Philharmonia, Brian Norcross, conductor
Barshinger Center for the Arts, Franklin & Marshall College
02/03/2018 - CCM Chamber Players, Rob Stull, conductor
Robert J. Werner Recital Hall, Cincinnati College-Conservatory of Music
03/04/2017 - WCU New Music Ensemble, Joseph Foster Harkins, conductor
Ware Family Recital Hall, West Chester University
11/10/2016 - West Chester University New Music Ensemble, Joseph Foster Harkins, conductor
Ware Family Recital Hall, West Chester University
Joseph Foster Harkins
composer